", "The Brit 800 #34 does a better Slash than the AFS100 IMO. ", "I always used the Fat switch with the real amp." Adjust Presence to taste. They just call it treble. ", "SLO 100s are NOT smooth amps. Some of the add-ons on this site are powered by. You have to really crank the MV though (just like the real amp). This is not unusual. The bright cap varied over the years, supposedly depending on what was lying around in the shop. ", "Brootalz uses the Engl Savage presence network which reduces negative feedback as the control is turned down causing an increase in volume. You must log in or register to reply here. Any significant length of cable will then attenuate the highs due to the cable capacitance. There's a single fixed tube screamer circuit at the input of the amp. This gives the amp a lot more gain so it's not surprising you're getting breakup at around 1.5. ", "Reference amp is a Slash AFD100 Signature Special Collector's Edition #76. 896 Following. ", "It's a single-ended power amp with negative feedback and bias tremolo. ", (about the Drive knob) "Our reference amp has a linear taper pot so the behavior is very abrupt. You can also play this amp silently, meaning you can use the amp without having to have it connected to a speaker cabinet so its great for practice and rehearsals. By combining the tonal pallet of his BE and HBE circuits, as well as the sparkling cleans of the Buxom Betty in his all-new BE-50 Deluxe amplifier head, Dave Friedman is unleashing his most flexible design yet. ", "You have to be very careful with the Master Volume. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Bogners use a log taper. You can't compare the amp with a switch engaged to the model without the equivalent switch engaged. ", "The design is weird as the negative feedback is taken off the speaker jack. It may not display this or other websites correctly. When you want to play music professionally, it is the amp and not the most important guitar to get right. Answer: Every Friedman amp is made in the USA, using hand-selected components and to Dave Friedmans exacting standards. The Jose-style MV imparts a very high source resistance to the tone stack which causes much more insertion loss and therefore lower drive level into the power amp. It's got six (!!!) In fact, its impossible to talk about American music history without prominently featuring Detroit. - Amazon , 3 , Amazon. It may not display this or other websites correctly. Die Fernsehserie umfasst derzeit 8 Staffeln mit 335 ausgestrahlten Episoden und zwei Spielfilmen. Now, if you like, put a Zen drive in front on the BludoClean amp.or a boostand listen to how that clean channel wakes up fast for grittier leads and touch-responsiveness. The vintage one sounds great, the reissue doesn't quite sound as good. For cleaner sounds it tends to be objectionable. ", "If you want more clarity in the low mids from the BE/HBE reduce Negative Feedback. It may not be symmetrical. ", "I thought that Shred mode is the same as the Red mode on the Triaxis which is just a treble boost on the output when, in fact, it's a clean boost on the input similar to a Tube Screamer but without the treble rolloff. It stays in climate controlled storage otherwise. Graphic EQs should have a nice, linear-in-dB response. The real amp has a fixed, passive tone stack with an active 4-band EQ. ", "I think an AC-20 does the Vox thing better than Vox. This video includes shots of downtown Detroit, including the community-based art installation the Heidelberg project and , Motor City Guitar in Waterford, MI, which is owned by Daves childhood best friend. To simulate the Boost switch use the Boost switch in the amp block as it has the same amount of gain. We have chosen 5 Friedman amps to explore below, based on; popularity, top sellers with different retail prices, so that every reader can look further into a Friedman amp that applies to them. The Tucana falls in to this category. It is one of the Harry Joyce, Hylight era models. Therefore it does not matter if the gain is before or after the linear stages. Is that better? ) - Alice in Chains, 28 2013 Capitol Records. This is already modeled in the Axe-Fx via the Bright Switch. ", Based on latest version of amp. Don't be afraid to turn them way up or way down. As it is virtually unplayable like this, the model uses a somewhat reduced level of grid conduction to lower the amount of blocking distortion and make the amp more playable at high Drive settings. May 16, 2008. ", (channel 1) "Someone was looking for that amp model recently so I dug our 6505+ out and was surprised at how nice that channel sounds. Concert 6G12 is a Brownface Fender Concert. JavaScript is disabled. As you turn the MV down, it will get thinner. However, many guitarists say that they never look back once theyve played with a Friedman amp. IOW all over the map. Change the Bright Cap value to 1 nF to emulate B2. So the board thickness should be chosen for the design. As was indicated in the release notes you can dial out this behavior by decreasing the PI Bias Shift. This is very close to the values that we were given (which yield 0.078). Since the gain pot and bright cap interact this makes a HUGE difference. Therefore you get a boost at the low frequency resonance of the speaker which causes the low end to get loose when you crank it. This means the amps are biased somewhat cold to begin with and shift to very cold as soon as overdriven. ", "If you like the base Dumble sound but want a little more gain without the fuzziness of a Fuchs try the Carol-Ann models.". BE-100 Deluxe: Thump control. I just used a standard Marshall tone stack whereas the JMP-1 uses a standard Marshall tone stack but the pots are replaced with fixed resistors but those values don't necessarily correspond to the pots at noon. A JTM45 with a bright cap is similar to a Superlead. The Bright channel model is selected by turning on the Bright switch. You can see this by turning the knob all the way down and all the way up. ", The actual amps Tight switch engages a built-in Tube Screamer circuit which can be replicated using a Drive block or the Amp blocks internal Boost feature., "The clean channel is like every other Mesa clean channel: a Blackface Fender copy. ", "The bright cap on the X99 Clean is not across the Drive pot. But, theyre not the only tube amps out there. ", "An AC-30 has no negative feedback which is why it sounds the way it does. If an amp model is "G3'd" it is deadly accurate. ", "Adds the "Legato 100" model based on Steve Vai's Legacy 100. Of course the power amp adds to the harmonic content, but it adds very little overdrive. It was a "FAS Original". People put the knob at 5.0 and go "wow, this amp is dark". Old models (before "Cygnus" amp modeling): Gain, Master, Bass, Middle, Treble, Presence, Bright (clean channel only). ", Lead channel, Contour switch OFF (boosts lower midrange around 500 Hz), Lead channel, Contour switch ON (boosts from 1200 Hz and cuts lower midrange), "From noon and up it's a presence boost, from noon down it's a presence cut. Use the Input Impedance feature of the Input block to simulate. Legend has it that SRV used a Bassman transformer which would lead to significant overmatching. We have two JCM800s and this particular amp sounds way better than the regular one with the rocker type power switches. Hand-signed by Slash with COA. ", "SLOs are brittle at low volumes. ", "The old Recto models weren't terribly accurate. A Recto will start saturating the power amp in Modern mode at VERY low MV settings. The gains are the same. These amps share the same aggressive low-cut on the input and then add bass back in the power amp. Most amps use an audio taper pot. One of them has a different value bright cap than the one with the same Gain pot. We use cookies to ensure that we give you the best experience on our website. Friedman's designs are a bit odd in that he takes the feedback off the speaker jack rather than off a transformer tap. Also a matching 4x12 cab. Some had 100K off the 8-ohm tap and some even had 47K off the 16-ohm tap! It is a very dark amp. The downside of that is that it then overdrives the phase inverter causing blocking distortion from excessive bias excursion. [13] Or you can lower the Harmonics value which reduces the asymmetric distortion. ", "The real amp is known for it's tremolo so that's why we used the bias trem on the preset. ", "When you dime the controls and whack a big chord the sound "goes away" a bit just like the real amp and then comes back a bit later. Amp designers exploit this and use different tapers to change the sound of their amps WITH THE KNOBS AT NOON. No they aren't. On the Axe-Fx you might need to set the Bass to 3, Mid to 7, etc. This preserves the treble boost in the upper midrange but softens the attack. ", (the new Herbert model in firmware 21 for the Axe-Fx III) "I like it a lot more than the old version of the amp. Try 32K. Experts state that Friedman amps are more affordable and slightly chewy Marshalls. Diezel's have a lot of filtering. ", "A typical Recto cabinet has a resonant frequency a little over 100 Hz. Probably because it's so nasty with it in. The OD2 was never designed to be put side by side in a Dumble clone fest in some guys living room with everyone playing their best Ford licks, it was designed to be used on stage for guys who played in cover/blues/wedding/classic rock bands. ", "The schematic shows a 2.2 nF coupling cap off the first stage but the actual amp has a 4.7 nF. ", "The Super Reverb is really just a 50W version of a Twin Reverb with different speakers. ", "My Uber is a very early one and probably different than later models. ", "The topology of the Fuchs is pure Dumble. ", "OD2 switches in a cathode bypass cap which increases the gain of that stage. Steve Stevens and Jerry Cantrell turn the bass way up too. ", "C45 is a treble boost on the input. This reduces the bandwidth which lowers the hiss. This allows the most flexibility. ", "The Depth knob is inactive on that amp model. Volume (pull: midgain boost), Treble, Bass, Master, Gain, Volume, Bass, Mid, Treble, Presence (4kHz), Deep (80Hz), Bright switch (not on channels 3 and 4), Cab: Fender 2x12 (Jensen C12N, JBL D120, EVM), Volume, Bass, Middle, Treble, Bright switch, Reverb (not modeled), Vibrato (not modeled), Volume, Negative Feedback, fixed Presence circuit (Presence should be at 10), Lead channel: Gain, Lo/Hi Lead switch, Bass, Mid-Open, Mid-Focused, Treble, Open / Focused switch (boosts 300-500 Hz) mode, Gain, Master, Bass, Middle, Treble, Presence, Bright switch, Structure switch (gain reduction), Old/New Style switch (not modeled), Excursion switch, Gain switch, Plexi Mode (not modeled), Cab: Bogner 4x12 Uberkab (G12-T75 and V30), Gain, Master, Bass, Middle, Treble, Presence, Depth (only on Twin-Jet Uberschall). Since that mode has no negative feedback the speaker resonance has a tremendous effect on the sound. I bought it off a lawyer (surprise, surprise) some years ago who was in trouble with the IRS. I own 2 Friedman Amps and I will add they sound f*&cking great and the couple times I contacted them Dave got back to me within 24hrs. This cleaned up this area of the build nicely. ", "Default MV is quite high in that model which will mask the effect of the Presence control since the power amp is distorting heavily (I find that amp sounds best with the power amp driven hard). Large grid stoppers, plate capacitors, etc. It pairs well with the factory Rumble 4X12 cabinet. It's about twice the optimum value. Crossover distortion is a unique sound. Funky amp. The old version (new model) has a 2.2 nF cap on the cathode follower while the newer version has 4.7 nF. ", "Try the Plexi 100W 1970 with Factory Cab 54. Hopefully that was a series of flukes though that the guy I'm talking about had. ", "The FAS models typically remove or minimize the undesirable characteristics of those old amps. Born around Detroit, Michigan, he set out for Los Angeles as a youth to pursue music. For example a Deluxe 5E3 is characterized by significant blocking distortion. The final tweaks were made like that using parametric eq blocks that were hard coded in to the model. They are nasty, aggressive things that you have to crank the MV. "There are quite a few differences between a 5F6-A and the reissue: Different tone stack (this is a big one). Shared: Presence and Balls, Channels 2 and 3: Gain, Level, Bass, Mid, Treble, Boost switch, Edge switch (changes tone stack). Episoden und zwei Spielfilmen that is that it then overdrives the phase inverter causing blocking distortion excessive... Is `` G3 'd '' it is deadly accurate or way down and all the way dave friedman amps wiki or way.. Episoden und zwei Spielfilmen nF coupling cap off the first stage but the actual amp has a different bright. 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